Joshua Bell's three years as one of the St. Paul Chamber Orchestra's first artistic partners come to an end this weekend. The acclaimed violinist is sad that his tenure is up, but he says he's leaving feeling more comfortable leading an orchestra.
Pianist Andreas Haefliger considers Bela Bartok the most interesting of the great 20th-century composers. At Orchestra Hall this weekend, he performs the piece Bartok wrote as he was dying, the Concerto No. 3 for Piano and Orchestra. He says it captures the full span of the Hungarian composer's life experiences.
Early in her career, clarinetist Sabine Mayer earned worldwide attention when she became the first female member of the Berlin Philharmonic. Now she performs only as a soloist or in chamber music settings. Her latest recording is a stimulating exploration of French repertoire.
The personal story of a Somali man who left war-torn Mogadishu with his family for a new life in Minnesota has been adapted for a new song, commissioned by the Minnesota Chorale. It's part of the chorale's collaboration with Twin Cities Habitat for Humanity.
Organizers are developing the Twin Cities' first Pan-African cultural festival. "Afrifest" is designed to introduce Minnesota's African immigrants to each other and the larger population.
In its current productions, Theatre de la Jeune Lune uses operatic music by Mozart to tell subversive stories with a political point of view. Although the narratives are different, the two productions maintain the integrity of Mozart's music, as the cast demonstrates in our studios.
Jazz great Branford Marsalis joins Midmorning to discuss his music, the meaning of jazz, and a career that has seen him work with artists from Miles Davis to Sting to the Grateful Dead.
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On his newest recording, former Van Cliburn Award-winner Nakamatsu turns his focus to George Gershwin, a great American composer with whom he has a few experiences in common.