Minnesota might not be the first place you think of when you think of jazz, but it has a surprisingly vibrant history - according to jazz historian Jay Goetting.
A recent analysis of the last three decades of hit song lyrics shows a trend in recent years toward narcissism and hostility in popular music. Is today's popular music indicative of increasing self-absorption, or is defining a generation by the Billboard charts a bit of a stretch?
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Downbeat magazine is honoring a jazz band from St. Olaf College in Northfield as the nation's top undergraduate large ensemble. "Jazz One" is the only Minnesota band to make this year's Downbeat honors.
At 91, Irv Williams has earned the right to slow down a bit. But this Minnesota jazz legend has just released another CD and still performs. Irv stops by to talk about his life, his music and his work with Ella Fitzgerald and Fletch Henderson.
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At age 14, Janis Ian wrote a controversial song that sailed to the top of the charts. It was 1964, and "Society's Child" told the story of a forbidden interracial romance. Nearly 50 years later, Ian is still making bold statements with her music.
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Listening to your favorite song can have an intense emotional effect, triggering memories and feelings unlike anything else. But what makes music so expressive? Dr. Daniel Levitin and Thomas Plaunt join us to discuss what happens to your brain on music.
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Minneapolis singer-songwriter Ben Weaver is known for deeply imagistic lyrics and an ability to reduce songs to their bare elements. He won't tell you what he thinks his song "East Jefferson" means. That's for you to decide.
It's a big week for the local music scene. Minneapolis-based hip-hop act Atmosphere, Duluth-based Indie rockers Low, and local songstress Haley Bonar all release new albums this week. MPR's Cathy Wurzer spoke with David Campbell for a preview of their new records. Campbell is the host of the Local Show, Sundays on 89.3 The Current.
In 1979 a dance performance at the Northrop Auditorium on the U of M campus in Minneapolis outraged the audience. Some people booed and walked out. The object of the derision was a piece simply called "Dance" by choreographer Lucinda Childs with music composed and performed by Philip Glass. Now 32 years later, they've returned to mount the piece again at the Walker Art Center this weekend.